She was born in 1950 in Krakow. She studied the Faculty of Architecture
of the Krakow University of Technology and got her master’s degree
at the Institute of Urban and Space Planning in 1975. In 1985
she was granted professional qualifications as painter by the Minister
of Culture and Art.
I began painting while studying architecture urged by professor
Krystyna Wróblewska who held the Chair of Freehand Drawing at the
Faculty of Architecture of the University of Technology. Later, working
as an academic teacher at the Faculty I had an opportunity of taking
part in the painting workshops en plein air, which were bravely organised
by Ewa Węcławowicz-Gyurkovich. It was a great experience.
We took our children and dogs to lovely places, most often to Wola
Zręczycka, and we painted and painted. These workshops were a turning
point in my career. Landscape has become my inspiration. I was
surrounded by open space, orchards in blossom, lots of colours. I
painted my first oil painting during one of these trips. Although I have
a highlander’s blood, I have never wanted to paint the mountains. The
space of the mountains is a mere pretence. Expanse, colour, rhythm
and balance, they all come from water and of meadows, meadows,
meadows. It is a landscape formed, construed and organized by the
nature itself. I never get tired of painting landscapes in their changeability
obeying the colouring of the seasons, always finding something
new. I paint en plein air, in my atelier, in my mind’s eye,
everywhere. I have realized only recently that I have always perceived
architecture as a part of landscape, atmosphere of the place and not
as a separate entity. I have even written a poem about it and exhibited
it together with my painting during one of the Biennale Architektury/
Biennal Exhibition of Architecture, thus pouring forth my thoughts. It
is natural that with such an attitude I could only find satisfaction
through painting, enjoying full independence. My problem was to find
my own way but I was inspired by an exhibition of professor
Maciejewski’s works at the Bunkier Sztuki Gallery. It was full of beautiful
paintings depicting garlands, flowers and colours. It made me realize
that I did not want an academic career but wanted to paint, to learn
and to paint again. It must have been around 1987, and I have never
looked back. I love the hustle of putting up my exhibitions and
vernissages. I have taken part in several dozen of group and solo exhi
bitions so far. They were organized in different places, some of them
more, some less prestigious, even in private houses or gardens. The
visitors are both my friends and the family but also strangers. I like
meeting them, watching their faces. In this way I can share my vision
of the world with other people. Some, professor Wróblewska for example,
may regard it as exhibitionism. But what is the opinion of others?
Let me quote some of my colleagues who deal with art. Their
support and also the support of my husband and sons has been a real
source of happiness for me over the years.
Let me thank them all for that.
Hanna Gąsienica-Samek
Krakow, June 2010
“Every painter imagining things has to be an architect, although not
very architect has to be a painter. The reason for this is quite simple;
architecture verges on metaphysics, whereas painting is metaphysics,
as simple as that. My first impression looking at the paintings of
Hanna Gąsienica-Samek is timbre, its intensity, warmth, and the richness
of shades of red, yellow, brown. After a while I begin to realize
that the artist graduated from architecture and I begin to wonder
whether the arrangement of space is determined here by the architectural
standards. It seems I am preconceived. To be honest, composition
in Ms Hanna’s paintings is subdued by colour. The colours are so
intensive that one may be led to think that the painter adds her own
colourful commentary to nature (...)”
Jerzy Skrobot
“Architecture or the art of building” was the title given to his treatise
by the learned Count Rev. Sebastian Sierakowski. Talent and genuine
technical knowledge have always accompanied the most accomplished
creators. They looked at the world with an artist’s eye, but built
with sobriety and perfect attention to detail. And so does Hanka
Gąsienica-Samek”.
T. Przemysław Szafer
“(...) There are also paintings resembling sketches, most fascinating
of all, as if they were not finished or were frozen at the moment of creation,
(...) as if the artist wanted to say that she has no time for detail,
intentionally (or not) disclosing the fact of being an educated architect
who first makes a sketch of a concept or design, capturing ideas
in a firm, quick rhythm of lines and splashes which carry the basic message
addressed at a spectator (...)”
Jacek Pencakowski
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photo by Bartłomiej Kosman
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